I Want You(2012)
the story of stark reality discovers the hoagy carmichael music shop begins with hoagy bix carmichael. nearing 30 and working on wall street, bix wanted to do something more worthwhile. he relocated to boston and started working at wgbh, one of the countrys most innovative pbs stations. there he met monty stark, wgbhs resident music man. when bix set out to create an all new wgbh program, hoagy carmichaels music shop, a childrens show revolving around his fathers 1958 childrens album hoagy carmichaels havin a party, stark was tapped to do the music. the resulting reimagination of hoagy carmichaels recording was used for the show, and issued on jazz pianist ahmad jamals ajp label. the recording features monty stark on vibes, saxophonist carl atkins, phil morrison on bass, vinnie johnson on drums and john abercrombie on guitar.were all going to the worlds fair marks the first-ever film score from singer, songwriter and multi-instrumentalist alex g. a haunting sonic companion to jane schoenbruns 2022 thriller about a shy teenage girl who becomes immersed in an online horror game, the soundtrack features a collection of original songs and score music written for the film by the philadelphia-based musician. vacillating between alex gs signature style of lo-fi bedroom pop and more ambient, sprawling instrumentals, the expansive soundscape is deeply intimate and affecting, capturing the search for connection at the heart of the unnerving coming-of-age story. this rsd black friday release comes pressed on seafoam green vinyl.side a:1. main theme [from we're all going to the world's fair soundtrack]2. stitch3. casey's walk4. you are in trouble 6a6f617c0c
I Want You(2012)
bro this movie makes me want to drive a motorcycle into the water and drown. also i think hache isn't as into girls as he paints it. all he can think about is his dead "best friend" pollo, he doesn't gie a flying fuk about gin and babi, that's why he doesn't seem to care about hurting their feelings by fuking them both. i think pollo was more than a friend to him. maybe even a partner. someone he had romantic feelings for you know. i'm certain he has a hard time coming out. or yeah, he likes the attention he gets from the girls too much to let go. anyway this movie can rot in hell, so freakng bad it hurts my eyes.
I'm 12 from the caribbean netherlands in south america. I want to die after seeing this movie. I was by side of my older female cousin and her friend group from school. They all are around 16 and they were gross and boys and girls making out with each other when we watch this and i just sitted there like what is happening ewww. They told me to leave the room. I go to next room and in my horror I see one boy and girl doing adult act like people on this movie done when i tried close my eyes. Don't watch tengo ganas de ti it creates visual defect on your eyes
Every institution is staffed with psychologists who provide counseling and other supportive mental health services. Anytime you want to speak with a psychologist, let staff know and they will contact Psychology Services to make the necessary arrangements.
You may be reading this message while in a Special Housing Unit or Special Management Unit cell, thinking your life is moving in the wrong direction. But wherever you are, whatever your circumstances, my commitment to you is the same. I want you to succeed.
I want your life to go forward in a positive direction -- a direction personally fulfilling to you, but also a direction which ensures the safety of the staff and inmates who interact with you each day.
Installation views, REH Kunst, Berlin. Paper, cardboard, foamcore, adhesives, spray paint, audio soundscape (in collaboration with Mieko Suzuki). 1:1 scale models, dimensions\u00a0variable. Photos: Bernhard Volkwein.\r\nSOUNDSCAPE COLLABORATION WITH MIEKO SUZUKI\r\nI want to love you but I\u2019m getting blown away (2012) explores the fetishisation and reproduction of Berlin\u2019s industrial wasteland aesthetic and our ambiguous relationship to the clich\u00e9 it has become. Things abandoned and trashed, once reminders of the transition and history of Berlin, are now marketed and slipped seamlessly into the changing urban surface as chic design. Reflecting on these contradictions, I want to love you but I\u2019m getting blown away presents the trash found blowing around the Berlin streets as perfect but precarious paper models. Devoid of their histories and reduced to ideal, generic models of themselves, the paper replicas propose a kind of street culture that has been re-designed for the tourist market. In the installation, the trash merges theatrically with an industrial soundscape, mixed by sound artist Mieko Suzuki, which blends audio fragments from the street with Kraftwerk tracks. Suggestive of a spatially immersive music video\/advertisement, the installation reflects on the clich\u00e9d package of Berlin that continues to blow us away.\r\nMieko Suzuki is a sound artist and DJ from Japan who is based in Berlin. https:\/\/www.mixcloud.com\/MIEKO\/","content_2x":"I WANT TO LOVE YOU BUT I'M GETTING BLOWN AWAY (2012)\r\n\r\n\r\n\r\n\r\n\r\n\r\nInstallation views, REH Kunst, Berlin. Paper, cardboard, foamcore, adhesives, spray paint, audio soundscape (in collaboration with Mieko Suzuki). 1:1 scale models, dimensions\u00a0variable. Photos: Bernhard Volkwein.\r\nSOUNDSCAPE COLLABORATION WITH MIEKO SUZUKI\r\nI want to love you but I\u2019m getting blown away (2012) explores the fetishisation and reproduction of Berlin\u2019s industrial wasteland aesthetic and our ambiguous relationship to the clich\u00e9 it has become. Things abandoned and trashed, once reminders of the transition and history of Berlin, are now marketed and slipped seamlessly into the changing urban surface as chic design. Reflecting on these contradictions, I want to love you but I\u2019m getting blown away presents the trash found blowing around the Berlin streets as perfect but precarious paper models. Devoid of their histories and reduced to ideal, generic models of themselves, the paper replicas propose a kind of street culture that has been re-designed for the tourist market. 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Paper, cardboard, foamcore, adhesives, spray paint, audio soundscape (in collaboration with Mieko Suzuki). 1:1 scale models, dimensions variable. Photos: Bernhard Volkwein. 041b061a72